Through a thoughtful discussion, Miranda Otto opens up on topics ranging from her latest role as a regal sea creature to the profound lessons learned through onstage mishaps and fan interactions.
Your latest role is the monarch of the cuttlefish in The Pout-Pout Fish; if you could be a fish for a day, which one would it be and why?
Without hesitation, that particular fish residing near Clovelly beach â because itâs like an institution, and individuals visit specifically to spot it. I just think as remarkable that a resident aquatic creature that people actually seek out and discuss â itâs a special fish.
What film do you repeatedly watch, and why?
Ernst Lubitsch's 1942 film To Be Or Not To Be. I love this picture. During my childhood, it would air on the ABC every now and again, and once I videotaped it. I just thought it was so funny. It stars Carole Lombard and Jack Benny. Not long ago they were showing it at a cinema and it turned out that it was the preferred movie of an acquaintance, and so we went and simply chuckled and laughed. It is a great piece of comedy and the entire cast in it are superb. Mel Brooks remade it in the 1980s â that wasnât successful. But Lubitsch's version is a brilliant comedy, worth viewing often.
Whatâs the best lesson you learned from someone a colleague?
I was doing A Dollâs House alongside Peter OâBrien â now my spouse, but back then we were not together. We portrayed characters as scene partners and on opening night I stumbled â I skipped forward some dialogue in the script. I didnât know what Iâd done but I suddenly realised things were off. I recall glancing toward him, and he expertly rescued the moment, and then the scene took off again and proceeded splendidly. But I think the insight gained then was, first, consistently rely on the people youâre working with. If you donât know where you are, by looking and look at the people youâre with, you can rediscover where youâre meant to be somehow. Itâs such communal thing, acting on stage. And next, just to have a sense of fun about it. Sometimes when a mistake occurs, things can ignite in a really great way if youâre really present then. It may become an unexpected boon when things go completely the wrong way.
Can you describe your most touching encounter with a fan?
Itâs not a single particular interaction but when I encounter devotees of Lord of the Rings, especially female fans, I hear a lot of accounts about what Eowyn meant to them when they were growing up ⌠things that had happened in their lives and how much Eowyn signified for them and was some kind of help to them in those times.
What do you get asked most frequently by Lord of the Rings fans?
The most detailed question is invariably regarding the stew that Eowyn serves Aragorn. âDid that stew taste as terrible as it looked?â It has evolved into such a joke, the entire episode about the stew, and everyone wants to know what was in the stew, and its preparation method, and do you think her skills improved now, or do you believe she really is a bad cook? People are, in my view, fascinated by the comedy of that scene. And I go into great detail describing the components that made up the concoction â as I recall what they did; such as adding pieces of colored thread to make it look like blood vessels in the meat. They went to extreme measures to make it look as bad as possible.
Whatâs been your most cringeworthy run-in with a famous person?
I was at a pilates class and another participant on a mat exercising, and the teacher remarked, âHello Miranda, meet Miranda.â And I made a lighthearted remark inquiring, âmight you be a journalist?â Since Miranda is an unusual name and most of the time when someoneâs a Miranda, they work in media. I wasnât really identified her. And when she got up, it was Miranda Richardson. Then I was at a loss for what to say. I still had to stay and do my class, and I experienced intense awkwardness. I wished to explain: âOh my gosh, I am aware of who you are!â I think her talent is immense and I was simply too awestruck to say anything.
Articles have confidently claimed that you were named after Prosperoâs daughter in Shakespeareâs The Tempest, and yet you've mentioned you saying otherwise â can you clarify this once and for all?
Indeed, I was named after the Sydney suburb. My mother learned via broadcast that they were opening a mall at Miranda, and the name sounded like a pleasant choice.
Whatâs the most chaotic thing thatâs ever happened on set?
When I was working in Brazil for the film Reaching for the Moon that was the most chaotic set of my career, and yet the film emerged brilliantly. But the local crew operated in a distinct manner. The sense of time there is unique. Typically, you normally have a call sheet and must arrive on set punctually. But this was sort of open ended â one would appear at one's convenience. It was a novel approach for me. The elements were being assembled at the very last minute, and at times the plan was unclear where they were shooting or how we were going to do it. And then youâd be in during a scene and wondering, âWhat caused that sound that just interrupted the scene? Ah, it was the producer opening a bottle during filming, because heâs making a party.â It turned out great, but goodness, itâs a really different approach to film-making.
Do you have a secretly good at?
I naturally possess good with numbers. I memorise numbers easier than I learn dialogue often, I simply have that kind of a brain. So I believe had I not ended up in acting, I likely might have entered a field involving numbers, like mathematics or accounting.
What is the greatest piece of advice you have ever received?
When I was in high school, a speaker came to speak as we were graduating and stated, âhave no fear to failâ ⌠an idea I consider is supremely valuable counsel, because you learn so much more from setbacks than is gained from triumph. With success, you never really understand precisely why it happened. Failure, you learn abundant.