An new term emerged a few months following the onset of Israel’s bombardment of Gaza. Known as WCNSF, it means “Wounded child, no surviving family”. This acronym is found only in Gaza, per insights from health professionals including child health specialists. Ordinarily, it is unusual for medical staff to care for a young patient who has seen the death of their entire family. But, there has been nothing “normal” concerning the widespread destruction in Gaza, where entire family lineages have been obliterated and the number of children who have lost limbs exceeds that of any other place in the world. Nothing ordinary in many doctors coming back from a devastated terrain with accounts of children being deliberately targeted.
The Gaza Strip continues to be an utter catastrophe. Essential medical supplies are not getting in those in need, and major human rights organizations have stated that violations are ongoing. The Israeli government has denied these claims, consistent with how it refutes all charges it is charged with. Meanwhile, while traumatised orphans are now suffering from the cold in improvised encampments, there is some ostensibly positive news: apparently nothing is going to stop the Eurovision song contest from pursuing its stated mission of “togetherness and artistic sharing.” Eurovision will continue to offer a prestigious stage for Israel, despite the fact that several European countries have now withdrawn in objection. Because this, it seems, is what international harmony looks like.
Eurovision, of course prohibited Russia from competing in 2022 due to the “serious conflict in Ukraine”. Yet the conflict in Gaza is entirely distinct.
Overlook the circumstance that Israel was criticized for unfair vote practices last year in what seems to have been an attempt to manipulate Eurovision. Ignore the report that a three-year-old girl was reportedly killed in Gaza on a recent Sunday. Neglect the data that settler violence and forced displacement in the West Bank have surged. Forget the fact that international journalists are still denied independent reporting in Gaza. None of this, evidently, should be seen as a barrier of Eurovision’s much-touted ethos of unity.
The contest reaches its seventieth anniversary next year – nearly twice the average life expectancy of someone in Gaza today. The event will proceed, but it will likely never recapture the camp joy it historically embodied. A competition that initially championed harmony has devolved into a blatant mechanism to sanitize military aggression.