Plenty has been written about the practice of running, a therapeutic exercise with potential for emotional liberation. Within the context of competitive games, yet, the pressure of rivalry can make people lose sight of this primary objective. Reimagined from the original graphic novel, Kenji Iwaisawa’s enthralling anime goes past awards and honors to explore the core impetus that drives an athlete’s ambition.
100 Meters chronicles Togashi and Komiya, youth companions whose career trajectories split when they enter elite competition. Formerly the quickest elementary student in Japan, Togashi guides the less confident Komiya with the essentials. As the pair enter their youth and early maturity, Komiya consistently improves up the standings of top athletes, while Togashi is mired in a rut; both battle anxieties and insecurities. Encompassing more than 15 years, the story documents their psychological barriers, revealing the challenges of an competitor’s existence, caught in a loop of societal observation, performance expectations and commercial obligations.
Perhaps it’s because of the original work, but the animation’s answer to these intricate issues is somewhat facile; repeatedly, a character’s inner doubts simply disappear after a extended discussion with a colleague or elder. But what the anime lacks in plot refinement and rhythm, it makes up for in stunning imagery. Using trace-over animation, in which cartooning is drawn atop filmed sequences, the film produces stunningly detailed running sequences. The bodily strain of a race is clearly shown, and the struggle and triumph of rivalry are etched on the athletes’ physiques.
One particularly momentous race finishes in the storm, with cascades of charcoal lines that immerse the scene. Apart from conversation, these displays of artistic excellence encapsulate the quasi-enlightened elation the movie aims to evoke.
100 Meters is showing in the United Kingdom from November 16.